The Birka female Viking warrior was a woman buried in the 10th century in Birka, Sweden and discovered in the 1870s. The grave was assumed to be a battle hardened man for 128 years until DNA analysis proved she was actually a high-ranking professional warrior. Shield-maidens are female warriors that take on male roles including wielding weapons and are depicted in many period figures, tapestries and brooches as well as mentioned by the famous Danish historian of the time, Saxo Grammaticus.

The grave chamber was made of wood and approximately 3.45m long and 1.75m wide. The body was in a sitting position and found earing garments of silk and silver. The grave contained a sword, an axe, a spear, armor-piercing arrows, a battle knife, two shields, two horses, one mare and one stallion. The grave also contained a game set with a board and pieces. This is considered evidence of her strategic thinking and indicating she was an officer who could lead troops into battle.

On Ridgeway Hill in the County of Dorset, a mass burial was found with the remains of 54 males. These individuals had all been executed in a gruesome manner with their decapitated heads dumped together in a large pit. Interestingly enough all of the sharp blade wounds had been struck from the front, meaning these individuals had faced their enemy. Radiocarbon dating showed the bodies were from 890-1030 AD. Strontium isotopes found in the bones show these individuals were originally from Scandinavia.

The Anglo-Saxon Chronicle, which had been written around 890 AD, provides a year-by-year account of all the major happenings in Anlgo Saxon England. Aethelred the Unready had been king from 978-1016 AD - it is quite possible these bodies died during his reign. Initially the king had paid Viking raiders off with over 10,000 pounds to stop raiding their lands. Later they began hiring Norse mercenaries to fight off the invading Vikings - however these mercenaries would switch sides frequently and proved too risky.

In December 1770 Ludwig van Beethoven was born in Bonn at Bonngasse 20 and baptized with the name of his famous grandfather - a successful musician from Flemish Belgium - and he was given this name in hopes to surpass his famous ancestor. Recognizing he had a prodigy his hands, Ludwigs father Johan van Beethoven tried to present his talented son at his first show at the age of 7. His father pushed him hard and would wake him in the middle of the night to practice his music. By the age of 16 Beethoven was employed as court organist in Bonn by the brother of Emperor Josef of Vienna. The same year he visited Vienna, met Mozart and returned home shortly before his mother died. His father become an alcoholic and forced to retire from his job in service of the Court. Ludwig was forced into adulthood, making real money and had to take care of his two younger brothers. In 1792 at the age of 21 Beethoven arrives in Vienna - the cultural capital - a city overflowing with music in hopes to expand his future. Wolfgang Amadeus Mozart had died just the year before and the great composer Haydn was ageing - destiny had prepared a place for Beethoven. Music is everywhere - and in less than a year he creates a big name for himself. Beethoven catches the attention of the famous composer Haydn who is amazed at the young talent who arrived from Bonn and begins studying with him.

One of the most important things for Beethoven was making contact with the aristocrats - who hosted concerts in their palaces on a weekly basis. They would meet regularly and host the best musicians of the town. He would seek sponsors who would let him make music the way he wanted rather than what was expected of him. Aristocratic patrons such as Joseph Franz von Lobkowitz around the same age as Beethoven would seek fun in their palaces and inviting a wild child like Beethoven made life exciting. These patrons were critical for Beethovens finances. However by his mid 20s Beethoven noticed his hearing was disappearing. He had to site closer and closer to the stage to hear the notes and music. This began with the high frequency notes such as piccolos, flutes and top of the violin while maintaining the lower frequencies. This would distort what he was hearing. He became isolated from conversations and began avoiding people. Losing hearing, the one important element of his senses was the cruelest form of torture. This is when he wrote his famous Moonlight Sonata as the music reflected his own mortality. The ideas came faster to him than he could digest them - he changed the course of music. He stood between 2 generations - one foot firmly ground in Mozart / enlightenment and Goethe. His other part was a member of romanticism - he transformed music from enlightenment into romanticism.